Mike Ladd - Nostalgialator Press [!K7] |
Excerpt from the discography:
Easy Listening For Armageddon (Scratchie/Mercury Records, 1997)
Welcome to the Afterfuture (Like Madd/Ozone Music, 2000)
The Infesticons: Gun Hill Road (Big Dada/Ninja Tune, 2000)
The Majesticons: Beauty Party (Big Dada/Ninja Tune, 2003)
On the project albums Mike Ladd produced on BigDada, he worked in
cooperation with artists such as El-P (DefJux), Vast Aire (Cannibal Ox),
Saul Williams and the Anti Pop Consortium.
Wild Out Day b/w Jet Pack - 7” (!K7, 2003)
Housewives At Play b/w Perversions- 12” (!K7, 2004)
In addition, various productions for e.g. Terranova and several remixes
(for Yo La Tengo, Anti Pop Consortium etc.) |
When Mike Ladd was recently
confronted by an interpretation of one of his pieces, he said, "That wasn't my
intention, but it fits. I like how people read into my songs and make their own
connection. For me half the fun of creating something is to watch others build
on it. That's why creation never dies". By definition, art is open to
interpretation and few artists understand that as well as Mike Ladd. Keeping
with this then, as both a musician and a producer, the New Yorker who previously
taught English at Boston University and Long Island University, doesn't allow
the form of his art to be restricted to a single genre. While his project album,
"The Infesticons" on BigDada (Ninja Tune) in 2000, featured a rough hip
hop underground sound, its successor, "The Majesticons" (BigDada 2003),
offered a polished contrast program straight from the world of bling bling – a
third part to this series is yet to come. And while his debut album, “Easy
Listening for Armageddon” (Scratchie/Mercury, 1997) voiced stepped down,
tripped out production and poetic blues, its follow up, “Welcome to the
Afterfuture” (Likemadd/Ozone 2000), fused Bollywood beats, beautiful
instrumentals, spaced-out punk and a collaboration with legendary NYC indie hip
hop group, Company Flow. So what’s next?
Mike Ladd's new album, "Nostalgialator", already preceded by the single
"Housewives At Play" featuring the exclusive B-side track "Perversions",
is due for release on !K7 late summer ‘04. "Nostalgialator" is also part
of a series and this album too has an underlying concept, which he explains with
a quiet smile to himself: "First there was 'Easy Listening For Armageddon', then
Armageddon came and now we're living in the 'Afterfuture', the period of time
after Armageddon. In this age, in which the entire future is irrelevant, we need
gadgets and machines to help us cope. The Nostalgialator is perfect for this -
it was manufactured by a corporation in order to make our lives bearable. Let's
assume you're watching TV and the news comes on and you think, 'My God, I can't
deal with all that stress. What I really miss is the good old days', then you
just sit in the Nostalgialator and press the button. Immediately, the machine
dresses you in all your favourite clothes from the 70s, plays your favourite
music and sends you back mentally to your version of the perfect life. Of
course, it can also screw up, because the machine can also take you back to the
reality of the past. You've just got to be careful which button you press." Get
it?
Apart from, "How Electricity Really Works" and "Dire Straits Play
Nuremberg", which Mike recorded in Italy with an old friend in 2002, the
recording was done in the Bob James Studio in Brooklyn/New York in this past
fall and winter, where he collaborated with engineer/producer Scotty Hard. Over
the last 15 years, Scotty's become an institution on the New York hip hop and
alternative music scene. Working with a wide spectrum of artists, from the
Wu-Tang Clan, De La Soul and the Jungle Brothers, to Vernon Reid, the Stereo
MCs, Einstürzende Neubauten, Lisa Stansfield and the Jon Spencer Blues
Explosion. Scotty also co-produced with Mike Ladd the CD version of the live
performance piece “In What Language” (Pi Recordings), lyrical monologues
written by Mike about people of colour negotiating the hyper-globalized setting
of a 21st Century international airport. Scotty is currently co-producing (with
Prince Paul) the new Chris Rock comedy album.
"The record works like a mix tape" says Mike with a view to the various musical
genres "Nostalgialator" brings together. While the already released
"Housewives At Play" has a pop sound fit for the dance floor, "Wild Out
Day" delivers Ladd's version of punk. While "How Electricity Really
Works" is reminiscent of Mike's early poetry performances in the Nuyorican
Poets Café in the East Village on Manhattan Island, "Sail Away Ladies" is
strongly influenced by the blues. Otherwise, the disc contains the usual dose of
Ladd's humour and social criticism. When George "W" recently announced that
we're now exploring Mars, Mike Ladd was one of the few who thought it was a good
idea. On "Off To Mars", he pronounces: "…well I guess it's time to
launch, can ´t say I'm sad to see you walk - it ´s been quite a time, more than
a millenium with your kind - I suppose we should close with congratulations for
your achievements - all the war and pestilence now you found new residence,
gonna stay here with the rest - no please just leave, we'll clean up the mess".
There's no doubt Mike Ladd's humour is far from being flat or cheap. But he
challenges his listeners, and this is exactly what distinguishes good art: it
encourages reflection.
(release date: July 26th 2004)
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